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Titlebook: Geometry of Light; The Architecture of Arkan Zeytinoglu,Manuela H?tzl Book 2011Latest edition Springer-Verlag/Wien 2011 Architecture-Monog

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樓主: 孵化
31#
發(fā)表于 2025-3-27 00:07:27 | 只看該作者
32#
發(fā)表于 2025-3-27 02:42:16 | 只看該作者
https://doi.org/10.1007/978-3-662-58029-5relationships and ideals. The projective house is based on the idea of geometrizing music and giving spatial form to a relationship between vibrations. The “interstitial space” that results is constructed in projective space.
33#
發(fā)表于 2025-3-27 05:24:30 | 只看該作者
,Grundlagen und statistische Ma?zahlen,amination of a theme should at least attempt to remove doubts, and indeed should aim, as far as possible, to dispel them. Far too much nonsense has been written already, designed, built and sung for payment, for me to embark upon an allegedly decisive introduction to Arkan Zeytinoglu’s Geometry of L
34#
發(fā)表于 2025-3-27 12:29:16 | 只看該作者
,Singul?re Differentialgleichungen,analyze “place.” Cappadocia, a landscape in central Anatolia in Turkey, is known for its caves carved out of soft tuff, which contain residential, commercial and sacred spaces. This geological layer is exposed to special erosion that forms particularly deep and steep-walled grooves that are characte
35#
發(fā)表于 2025-3-27 14:44:21 | 只看該作者
36#
發(fā)表于 2025-3-27 20:42:32 | 只看該作者
37#
發(fā)表于 2025-3-28 00:52:42 | 只看該作者
Einführung in die moderne Kostenrechnungtions, as if one could take a look behind the painter’s technique. Where does the shadow come from, how does the form arise? The presentation is a three-dimensional play of light and shadow. The composition a “surface in space.”
38#
發(fā)表于 2025-3-28 05:03:15 | 只看該作者
Wolfgang G. Walter,Isabella Wünschend intermediate spaces, always focused on the individual resident. The viewer is moved into a central position. In the intermediate space there is a watercourse, the climate zone. The proportions and relationships of the building volumes are constructed around people: a “human geometry”.
39#
發(fā)表于 2025-3-28 08:32:29 | 只看該作者
40#
發(fā)表于 2025-3-28 14:27:12 | 只看該作者
Jan Rommerskirchen,Michael Roslonhimself for the museum garden of MAK, which makes a clear sign in the direction of the River Wien and Vienna’s third district: “the flight of steps oriented towards the garden is on the one hand an articulation and dissolution of the site boundary, while on the other it invites the visitor to ascend
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